EASTSIDER BOB KANE
Creator of Batman and Robin
3-24-79
At the 1939 World's Fair in New York, a time capsule was filled with memorabilia thought to be representative of 20th-century American culture, and scheduled to be opened by historians 5,000 years later. Among the objects chosen was a comic magazine that had appeared for the first time that year, the creation of an 18-year-old artist and writer named Bob Kane. Whoever chose the contents of the time capsule must have been prophetic, because today, 40 years later, few characters in American fantasy or fiction are so well known as Kane's pulp hero — Batman.
"It was a big success from the very beginning," says the cartoonist, a tall, wiry, powerful-looking man of 58 whose tanned, leathery features bear a striking resemblance to those of Bruce Wayne, Batman's secret identity. "Superman started in 1938, and the same company, D.C. Comics, was looking for another superhero. I happened to be in the right place at the right time.
"The first year, Batman was more evil, more sinister. My concept was for him to scare the hell out of the denizens of the underworld. And then the second year, I introduced Robin, because I realized he would appeal to the children's audience. That's when the strip really took hold."
The walls of his Eastside apartment are covered with vintage hand-drawn panels by America's most famous cartoonists, and Kane, with his casual attire, his broad New York accent, and his habit of twirling his glasses around while slumped far down in his easy chair, would not seem out of place as a character in Maggie and Jiggs. Yet he likes to consider himself a serious artist, and has, in fact, had some notable achievements in his "second career," which began in 1966 when he resigned from D.C. Comics, on the heels of the successful Batman TV series.
"I got tired of working over the drawing board after 30 years. I wanted to be an entrepreneur — painter, screenplay writer, and producer." Since that time, he has built up a large body of work — oil paintings, watercolors, pen and ink sketches and lithographs, most of them depicting characters from Batman. They have been purchased by leading universities, famous private collectors, and New York's Museum of Modern Art.
As a writer, Kane has created four animated cartoon series for television, has penned a screenplay for Paramount Pictures, The Silent Gun, has written an autobiography titled Batman and Me (due to be published next year), and has completed a screenplay for a full-length Batman movie. Recently, he has also emerged as an active participant in charitable causes, such as UNICEF, Cerebral Palsy and the American Cancer Society.
>From March 16 to April 8, the Circle Gallery at 435 West Broadway in SoHo will exhibit a one-man show of about 40 Kane originals. Says Kane with his typical immodesty: "I'm probably the first cartoonist to make the transition to fine art. When you do hand-signed, limited editions of lithographs, you are definitely entering the world of Lautrec and Picasso and Chagall."
Kane has lived on the East Side for the past 15 years and has no plans to leave. Asked about his early years, he tells of growing up poor in the Bronx. "I used to draw on all the sidewalks, and black out the teeth of the girls on the subway posters. I used to copy all the comics as a kid, too. That was my school of learning. … My greatest influence in creating Batman was a sketch by Leonardo da Vinci of a flying machine, which I saw when I was 13 years old. It showed a man on a sled with huge bat wings attached to it. To me, it looked like a bat man. And that same year, I saw a movie called The Mark of Zorro, with Douglas Fairbanks Senior. Zorro fought for the downtrodden and he had a cave in the mountainside, and wore a mask, which gave me the idea for Batman's dual identity and the Batmobile."
As might be expected, Kane takes much pride in his lifelong success. "Batman has influenced four decades of children," he declares. "It has influenced the language. … It has influenced people's lives whereby it gives them a sense of hope that the good guy usually wins in the end. And mainly, the influence has been one of sheer entertainment. I feel that most people would like to be a Batman-type superhero, to take them out of their dull, mundane routine of everyday living. … My greatest thrill comes from my 5-year-old grandson. Little did I know when I was 18 that one day I would see my grandson wearing a little Batman costume, driving around in a miniature Batmobile and yelling 'Batman!'"