WESTSIDER REID SHELTON
The big-hearted billionaire of Annie
12-22-79
Annie, the touching musical about seven little orphan girls in New York City at Christmastime during the Great Depression, has been the Broadway show against which all others must be compared ever since it opened in April, 1977.
That year it won seven Tony Awards. Later the movie rights were sold for a record $9.5 million. There are now companies performing the musical in Los Angeles, Boston, Atlanta, England, South Africa, Australia, Japan and Scandinavia. The album has gone gold. Still a sellout virtually every night at the Alvin Theatre, its tickets are the hardest to obtain of any show in town.
Two of the three leading characters — those of Annie and the cruel, gin sodden orphanage director Miss Hannigan — have been twice replaced by new performers. But Oliver "Daddy" Warbucks, the bald-headed billionaire with a heart as big as his bank account, has been played since the beginning by Reid Shelton, a Westside actor long known for his portrayal of powerful figures on stage — cardinals and kings, statesmen and presidents.
On December 23rd, just a few days short of its 1,200th performance, Reid will finally leave the New York company to star in Annie on the West Coast. He has no plans, at this point, of giving up the role that earned him a Tony nomination for Best Actor.
"I've had two three-week vacations and I've missed four performances in almost three years," says Reid in his dressing room on a recent afternoon. Easing his tall, bulky frame onto a sofa, he immediately reveals a personality that is warm, good-humored and eager to please. His broad, all-American features give distinction to his gleaming, newly shaved head. Reid shaves twice a day with an electric razor.
"My understudy plays Roosevelt in the show, and of course for the four performances that he's had to go on for me, he didn't shave his head," laughs the 55-year-old actor. "I've gotten the most angry letters from people saying, 'Well my God, can't you at least have the understudy shave his head? How dare you do that to us!'"
Asked about his qualifications for playing a billionaire, Reid says, "I don't know whether it's my look, personality, or what, but people have always thought that I've come from money. Actually, my family during the Depression was very poor."
Born and raised in Salem, Oregon, he began studying voice while a high school freshman, doing chores in exchange for lessons. After graduation, he was drafted into the First Cavalry Division of the U.S. Army, fought in the Pacific, then received his master's degree in voice under the G.I. Bill. Arriving in New York City in 1951, he got a job singing at Radio City Music Hall. From there he went on to many Broadway musicals, TV shows, films and recordings. His generous income from Annie enabled him, last year, to purchase the Westside apartment building in the Theater District where he's been living since 1956. "It's a rent-controlled building with 20 apartment units. This last year I lost four thousand dollars on it because of oil and everything, but I have never regretted buying it."
Some behind-the-scene stories are as interesting as the show itself. Yul Brynner, for example, has refused to be photographed with Shelton: "Maybe he's afraid if the strobes hit our glistening heads simultaneously there will be no picture." Sandy, the dog, was discovered in an animal shelter just one day before he was due to be put to sleep. "It's that bored, I-don't-care quality that that dog has," says Reid, "that's so endearing to the audience. He lives with his trainer and owner, Bill Berloni, a marvelous young chap who found a whole new career for himself through the dog." And when the subject of orphanages comes up, Reid tells of a place called the Jennie Clarkson Home in Valhalla, New York, which he visited not long ago.
"It's not exactly an orphanage, but a temporary home for girls whose families can't provide for them. They have about 40 girls who stay in cottages with cottage parents, and they go to school there. The agency works with the family by trying to find the father a job or whatever, so the girls can finally return home. … I was so impressed with the work they're doing. I'm trying to raise money for it."
He recalls visiting the White House to do a shortened version of Annie for the Carters. "We got back at 3 in the morning, totally exhausted, but the whole day was made worthwhile when Mrs. Carter sought me out and said, 'You know, I must tell you how much I appreciate your taking your day off to come down here and do this for us. It must be a real chore, and I do appreciate it.' It was just a wonderful, wonderful personal thing that she didn't have to do. It's something I will always treasure."
On another occasion, says Reid, Robert Wagner and Natalie Wood came backstage after a show. "Bobby just kept crying, and Natalie finally said, 'For God's sake, Bob, stop it.' But he couldn't. Even now, I'm terribly thrilled when people come back and say, 'You made me cry.' I'm proud of that. If I can touch some response in people, and maybe open up something that they didn't even know they felt, that's a tremendous plus in being an actor."