Frequently, at one and the same time, you see every trade in operation on the gun-deck—coopering, carpentering, tailoring, tinkering, blacksmithing, rope-making, preaching, gambling, and fortune-telling.
In truth, a man-of-war is a city afloat, with long avenues set out with guns instead of trees, and numerous shady lanes, courts, and by-ways. The quarter-deck is a grand square, park, or parade ground, with a great Pittsfield elm, in the shape of the main-mast, at one end, and fronted at the other by the palace of the Commodore's cabin.
Or, rather, a man-of-war is a lofty, walled, and garrisoned town, like Quebec, where the thoroughfares and mostly ramparts, and peaceable citizens meet armed sentries at every corner.
Or it is like the lodging-houses in Paris, turned upside down; the first floor, or deck, being rented by a lord; the second, by a select club of gentlemen; the third, by crowds of artisans; and the fourth, by a whole rabble of common people.
For even thus is it in a frigate, where the commander has a whole cabin to himself and the spar-deck, the lieutenants their ward-room underneath, and the mass of sailors swing their hammocks under all.
And with its long rows of port-hole casements, each revealing the muzzle of a cannon, a man-of-war resembles a three-story house in a suspicions part of the town, with a basement of indefinite depth, and ugly-looking fellows gazing out at the windows.