Thence we passed into the old historic rooms of the Palace,—Darnley's and Queen Mary's apartments, which everybody has seen and described. They are very dreary and shabby-looking rooms, with bare floors, and here and there a piece of tapestry, faded into a neutral tint; and carved and ornamented ceilings, looking shabbier than plain whitewash. We saw Queen Mary's old bedstead, low, with four tall posts,—and her looking-glass, which she brought with her from France, and which has often reflected the beauty that set everybody mad,—and some needlework and other womanly matters of hers; and we went into the little closet where she was having such a cosey supper-party with two or three friends, when the conspirators broke in, and stabbed Rizzio before her face. We saw, too, the blood-stain at the threshold of the door in the next room, opening upon the stairs. The body of Rizzio was flung down here, and the attendant told us that it lay in that spot all night. The blood-stain covers a large space,—much larger than I supposed,—and it gives the impression that there must have been a great pool and sop of blood on all the spot covered by Rizzio's body, staining the floor deeply enough never to be washed out. It is now of a dark brown hue; and I do not see why it may not be the genuine, veritable stain. The floor, thereabouts, appears not to have been scrubbed much; for I touched it with my finger, and found it slightly rough; but it is strange that the many footsteps should not have smoothed it, in three hundred years.
One of the articles shown us in Queen Mary's apartments was the breastplate supposed to have been worn by Lord Ruthven at the murder, a heavy plate of iron, and doubtless a very uncomfortable waistcoat.