… “Some sport
Amid the waves, like monsters of the deep,
And some, among the foliage of the groves.”
All now assumed their fancy dresses. Julia, Frances, and the four Misses Morven, were, by Lord Arandale’s wish, habited as sea-nymphs.
The principal covering consisted of a long clinging robe of a bright green. Around the bust was wrapped white gauze, of the slightest texture; its folds so arranged, as to resemble, as much as possible, the crested foam of ocean; from which, the head, neck, and arms, seemed, as it were, emerging; while a part of[306] the same drapery fell over one shoulder, and floated loosely behind the figure, like the line of light on divided waters. Through various parts of the dress was twisted bright scarlet coral, intermingled with tufts of sea-weeds, bound together by clusters of the most brilliant emeralds, seemingly unset, and mixed with small shells, to give their grouping a natural appearance; while over all were scattered costly pearls, innumerable, neither strung nor set. The feet and ankles, in particular, were entirely encrusted with ornaments of this mixed description, as if the accumulation had been collected, by treading the rocks and caverns of the fathomless deep, among Neptune’s hidden treasures.
The very long fair hair of the sisters, worn quite loose, was peculiarly becoming to this costume. It hung around in a shower of[307] brightness, as though sunbeams were gilding the light spray with which, sportive movements through the watery element, thus partially covered, as with a sparkling yet transparent veil, each lovely vision. This group did not wear masks; as they were to assist in receiving the company.
A small ante-room, the first of the suite thrown open on the present occasion, was fitted up to represent a cave. Before its entrance lay irregular masses of rock, on which were seated some of the Misses Morven, in their sea-nymph attire, combing their dishevelled locks with branches of coral, and singing the while, like the Syrens of old; till, on the approach of guests, they would dart off with looks of well feigned wildness, into the mouth of the cave; serving thus by their mockery of flight, as guides to the company. The interior[308] of the cave was decorated with coral, growing out of the crevices of the rock, and budding with precious stones; slender sea-plants gracefully pendant from each projecting point; every variety of magnificent shell, from some of which seemed to proceed strains of the wildest music, like the notes of Eolian harps; whilst others sent forth sounds, resembling the rushing of mighty waters. Under foot shone golden sands, promiscuously strewn with pearls and variegated pebbles; while fragments of spar and many-sided crystal, containing concealed lamps, being the only visible sources of light, gave to the whole a magical effect. Here, in picturesque attitudes, reclining on couches of feathery and rainbow tinted seaweed, appeared the principal figures of the group. They too were singing, but in sweeter strains than those without, and in harmony[309] with the thrilling breathings, still proceeding from the shells.
On the entrance of the guests, led in by the flying Misses Morven, the recumbent nymphs, gracefully moving their arms in time to the soft music, by looks and gestures indicated the way through each recess of the cave to an outlet at its further extremity, which led into the next reception room.
The advancing company now found themselves in a seeming grove of fine old oaks, the stems of which were entwined, and the branches festooned with laurel. Triumphal wreaths of the latter material were also borne aloft in the joyous dance by a group of wood-nymphs, wearing on their heads, crowns, and over their shoulders, garlands of roses, with which were intermingled leaves, both from the forest tree and its triumphal wreathings; signifying,[310] that if we would have the gentler blossoms of our gardens flourish, the oak and the laurel must be cultivated.
All who entered the grove in naval uniform, were conducted by two of the nymphs to an open space among the trees; where Lady Susan, in the character of Britannia, was seated on a beautiful throne, curiously carved in marble to represent the white cliffs of Albion; canopied by oaks, and sheltered, on either side, by a luxuriant growth of laurel; the steps of the throne, subject waves spell bound to the stillness of stone, by the presence of their awful mistress; while on one of them stood Triton, with his conch at his lips, in the attitude of awaiting command. The rich harmonies of “Rule, Britannia!” meantime filled the air every where; as though the old oaks themselves had been the performers; for, while the deeper tones[311] seemed to come mellowed from within the imprisonment of their knotted trunks, the softer ones were heard whispering at large among the waving of their lofty tops.
Each claimant being led to the feet of Britannia, she took a laurel wreath from the hands of her attendant nymphs, and, with a gracious smile, (a triumphal flourish from the conch of Triton at the same moment proclaiming the act,) placed it on the brows of the hero.
In the great room appeared a motley crowd in the costumes of all the nations under heaven; so that, on first entering, a traveller’s eye would have been reminded of the great mart at Gibraltar.
Lord Arandale had requested that all officers should wear uniform; Edmund could not, therefore, without incurring the charge of affectation, avoid compliance.
[312]
Habited, accordingly, in his full dress, or roast beef coat, and (for things could not be done by halves) decorated with every star and garter he had ever won, he made his appearance in the marine cave. But, having fatally neglected the precaution taken by the wise Ulysses against the voices of Syrens, he found it quite impossible to proceed further; and, indeed, seemed to be so much at home among the sea-nymphs, that landsmen, as they passed, were induced to make many witty comments, vowing they would never again compassionate sailors, on the score of their privations.
They had heard, indeed, of mermaids, and read of Syrens; but, as the former were proverbial for a very uninteresting peculiarity of form, and the latter were called, by Johnson, sea-monsters, they had no idea that the rocks[313] and caves of old ocean were inhabited by such water angels as those they now beheld.
Lady Morven appeared as a Sultana, dressed in all that could be devised of magnificence. Having some taste, her ladyship made many deviations from the hackneyed costume—wearing one, the groundwork of which, instead of being of the strong and unbecoming colours generally adopted, was of white satin; though that pure fabric was nearly covered with rich highly raised embroidery of the most brilliant hues, mixed with gold. Both tunic and petticoat were deeply bordered and fringed with gold, and the latter adorned with peculiar richness up the front, where the opening of the former displayed it to great advantage. The trowser and open hanging sleeve were of course not forgotten, while the numberless claspings, fastenings, and loopings, bracelets and armlets, with the superb zone and stomacher, necklace and crescent, all of jewels, chiefly brilliants,[314] brought together such a concentration of dazzling rays, that, when over all was flung a veil of a material so transparent that nothing of it could be seen but the beautiful miniature flowers, embroidered in gold and bright colours, with which it was sprinkled; those flowers, as the moving of the invisible drapery caused them to float around, seemed so many painted and glittering butterflies, following and fluttering in the blaze of light emitted by so much splendour. The bird of paradise too, worn in front of the turban, and sustained by the crescent of jewels, was thus so severed by their lustre from all that seemed tangible, that he appeared hovering above the bright vision, as doubtful where to alight. Her ladyship leaned on the arm of Mr. Graham, who had assumed the dress of a Sultan, on being assured that it would not be required of him to do any thing but loll on an ottoman.
Next appeared a group consisting of an old[315] blind man, selling matches, and led by a dog—an excellent figure; a little girl, driving a wheelbarrow of apples, and calling them vociferously; and a middle-aged woman, crying the last dying speech of the latest executed murderer. Now a group of Circassian slaves; now a number of naval officers, arm and arm; now many curious groups of wandering musicians, ballad singers, and pedlars of various countries. Herds of foreign peasants; then came Turks, Jews, May-morning dancers; these last, children; their queen, a lovely little creature, leading a lamb by a wreath of roses, while the gaily decorated pole, with its many garlands, showered the fragrance of fresh flowers wherever it passed; then a group of archers of the Royal Edinburgh Society. In short, enumeration would be endless. Next appeared a set of gypsies, one of the figures very good—an old man with grey hair, and bent double, leading an excellent imitation of[316] a small donkey, animated within by a little boy, and bearing on the centre of the sack, which was thrown across its back, an infant in wax, seemingly just able to sit in a little heap, by help of the old cloak, drawn tight about it; the deception complete. This group took the liberty of making a halt for a short time in the grove, where, under one of the old trees, they pitched a tent, and from a projecting branch of another, at a little distance, suspended a kettle, under which they set fire to some exquisite perfumes, in the form of faggots; while one of the youngest and prettiest of their party sat on the ground, blowing the embers to a flame, without other means than her own rosy lips; till, smoke and all, the gipsey encampment formed a very picturesque object.
Among the gipsies were some amusing fortune-tellers, but these latter were all thrown into shade by the striking figure of an Indian[317] juggler, who came in soon after, quite alone. He was tall, and dressed in long loose black robes. Instead of passing on, he paused before the party in the cave, waved his wand, and looked fixedly at them. His countenance was covered by a peculiarly hideous black mask, through which his eyes flashed with a supernatural ferocity, assisted by fiery regions of stained crystal around the apertures. He made signs that he was dumb, but that he wished to show Julia her fortune, and immediately passing his wand between her and Edmund, waved to all to make a clear space; then drawing a circle round Julia, pointed to it and to Edmund, stamped with his foot, and seemed to forbid his passing the magic boundary. Edmund made several laughing attempts to enter the circle, but the juggler as often interposed his wand and stamped again. The juggler next taking Henry by the arm, placed him beside Julia within the circle.[318] “So, I am to be the happy man, it seems!” said Henry, carelessly taking the hand of his cousin. She appeared not to like the jest, and hastily endeavoured to withdraw her hand, but he held it fast, giving her a glance which made her tremble. The juggler now displayed a ring, which he gave to Henry, who placed it on Julia’s finger so suddenly, that she was not aware what he was about to do, and said, “This is my wife.” At the same moment, the words, “This is my husband,” proceeded, or seemed to proceed from the lips of Julia, in a voice loud and distinct, though unlike that in which she usually spoke. “No! no! no!” she cried instantly, in her own voice, flinging off the ring, and darting out of the circle.
“Yes! yes! yes!” said a voice from beneath the ground on which they stood. “Yes! yes! yes!” repeated voices from within the rocks on every side, successively, and finally from[319] above their heads, till the last sound seemed lost in distance. The juggler, the while, pointing with his wand, now here, now there, still indicating the spot whence the voice seemed to proceed.
“Was it not you then that said, this is my husband?” enquired two or three of the young ladies, turning to Julia. “Nonsense! nonsense!” she exclaimed pettishly.
“The fellow is a ventriloquist,” said Edmund aside to the inquisitive Misses Morven, who seemed never to have heard one before. At the same time, approaching our heroine, he offered her his arm, for she seemed to need support, and he felt, too, secretly delighted by the visible antipathy to the idea of a union with Henry, even in jest, evinced by the countenance and involuntary movements of Julia. Henry, however, drew her other hand over his arm, without even asking her permission.
“Well, Julia!” he said, laughing, “thank[320] heaven, we are married at last, and publicly enough this time,” he added, pretending to lower his voice. “Remember,” he proceeded, again raising it, and again affecting to laugh, “you can never be off, in Scotland, after saying before two witnesses, the awful words—This is my husband!”
“As I never did, however, nor ever shall say so,” commenced Julia. Henry interrupted our heroine, by observing carelessly, “that reminds me of the lady in the play, who swears to her father, never to marry her lover, after she is married to him already.”
This remark, though made with the greatest levity, shocked Edmund more than he was willing to confess, even to himself; not that, at the time, he believed it to allude to any thing more than the folly which had just passed.
“How very funny! how very funny!” said several of the young ladies. “Those sort of[321] jokes are very disagreeable, I think,” said Julia. “Oh, you don’t think it a subject for jesting upon?” observed Henry, not at all disconcerted. “Nor do I, Julia, believe me!” he added, again affecting to lower his voice.
“The part of the juggler is certainly very well sustained,” remarked Frances. “Yes, very well indeed,” said Julia, bowing to the juggler. “The company seem to be almost collected,” she added, “so I think we may now go to the great room, and commence dancing.”
Henry, thinking he had now sufficiently plagued Julia, dropped her arm, and offered his services to two of the Misses Morven. Edmund could not resist the opportunity of turning to our heroine, and saying, in a whisper—“for heaven’s sake, Julia, what does Henry mean?” “He thinks his absurdity wit, I suppose,” she replied, without hesitation. Edmund, at the moment, felt re-assured,[322] by the ready frankness of her manner, though long after, and when new circumstances had arisen, he remembered that the words of her reply were, certainly, very evasive. One of the Misses Morven begged to have her fortune told. The juggler drew the magic circle around her, and then, with his arms folded, stood motionless. The unclaimed damsel looked round to see who was to be her companion. The juggler waved his wand, as though interdicting the approach of any intruder. The spectators began to laugh; and the young lady got out of her solitary sphere, declaring that fortune-telling was a very dull amusement.